{"id":1210,"date":"2023-07-01T12:47:26","date_gmt":"2023-07-01T09:47:26","guid":{"rendered":"https:\/\/haberkaradenizim.com\/index.php\/2023\/07\/01\/yesilcamin-tarz-ismi-kartal-tibet\/"},"modified":"2023-07-01T12:47:26","modified_gmt":"2023-07-01T09:47:26","slug":"yesilcamin-tarz-ismi-kartal-tibet","status":"publish","type":"post","link":"https:\/\/haberkaradenizim.com\/index.php\/2023\/07\/01\/yesilcamin-tarz-ismi-kartal-tibet\/","title":{"rendered":"Ye\u015fil\u00e7am’\u0131n tarz ismi: Kartal Tibet"},"content":{"rendered":"
\n

Usta oyuncu, y\u00f6netmen ve senarist Tibet, \u00f6\u011fretmen anne-baban\u0131n \u00e7ocu\u011fu olarak 27 Mart 1938’de Ankara’da d\u00fcnyaya geldi.<\/p>\n

Hen\u00fcz 10 ya\u015f\u0131ndayken Ankara \u00c7ocuk Radyosunun temsillerine kat\u0131lan sanat\u00e7\u0131, Radyo \u00c7ocuk Kul\u00fcb\u00fc’nde “Ay\u015fe Abla” piyeslerinde ba\u015frol konu\u015fmaya ba\u015flad\u0131. Ard\u0131ndan Devlet Tiyatrolar\u0131ndaki yeti\u015fkin oyunlar\u0131nda \u00e7ocuk rollerinde sahneye \u00e7\u0131kt\u0131.<\/p>\n

Sanat\u00e7\u0131, okudu\u011fu \u015fiirle ilk, orta, lise ve \u00fcniversiteleraras\u0131 d\u00fczenlenen yar\u0131\u015fmalarda Ankara birincisi oldu.<\/p>\n

Karao\u011flan ile Ye\u015fil\u00e7am’a ad\u0131m att\u0131<\/h3>\n

Kartal Tibet, Ankara Kolejinin ard\u0131ndan, beden e\u011fitimi \u00f6\u011fretmenli\u011fi yapt\u0131. Bir s\u00fcre sonra ise babas\u0131n\u0131n iste\u011fiyle hukuk fak\u00fcltesini bitirerek avukat oldu.<\/p>\n

Ankara \u00dcniversitesi Devlet Konservatuvar\u0131 Tiyatro B\u00f6l\u00fcm\u00fcne giren sanat\u00e7\u0131, mezun oldu\u011fu 1960’ta Albert Camus’un yaz\u0131p, Mahir Canova’n\u0131n sahneye koydu\u011fu bir oyunda rol ald\u0131.<\/p>\n

Sanat\u00e7\u0131, 1961’de kurulu\u015funda yer ald\u0131\u011f\u0131 Ankara’n\u0131n ilk \u00f6zel tiyatrosu Meydan Sahnesi’nde 4 piyes y\u00f6netti, 20 oyunda rol ald\u0131. Bu y\u0131llar\u0131 “Kendi i\u015fimi kendi yapma arzum vard\u0131. \u00c7\u00fcnk\u00fc daha gen\u00e7tim ve ba\u015far\u0131l\u0131 olamazsam Devlet Tiyatrosu beni bekliyordu.” ifadeleriyle aktaran Tibet, Suat Yalaz’\u0131n teklifiyle “Karao\u011flan: Altay’dan Gelen Yi\u011fit” adl\u0131 filmde Ye\u015fil\u00e7am’a ad\u0131m att\u0131.<\/p>\n

G\u00fcnd\u00fcz Sencer ile 1963’te evlenen sanat\u00e7\u0131n\u0131n, 1964’te Kanat, 1973’te Kumru ad\u0131n\u0131 verdi\u011fi \u00e7ocuklar\u0131 d\u00fcnyaya geldi.<\/p>\n

“Tarkan” rol\u00fcyle \u00fcn kazand\u0131<\/h3>\n

D\u00f6nemin j\u00f6nlerinden C\u00fcneyt Ark\u0131n’\u0131n \u00e7izgi roman karakterleri “Malko\u00e7o\u011flu” ve “Kara Murat” olarak seyircinin kar\u015f\u0131s\u0131na \u00e7\u0131kmas\u0131, bu t\u00fcr macera filmlerinin pop\u00fclerli\u011fini artt\u0131rd\u0131.<\/p>\n

Karao\u011flan’\u0131n Orta Asya’da ba\u015flayan ser\u00fcvenleri, Kartal Tibet’in ba\u015frol\u00fc \u00fcstlendi\u011fi 1966 yap\u0131m\u0131 “Karao\u011flan: Baybora’n\u0131n O\u011flu”, “Karao\u011flan: Camoka’n\u0131n \u0130ntikam\u0131”, 1967 yap\u0131m\u0131 “Karao\u011flan: Bizansl\u0131 Zorba”, “Karao\u011flan: Ye\u015fil Ejder” ve 1972 yap\u0131m\u0131 “Karao\u011flan Geliyor” adl\u0131 filmlerle devam etti.<\/p>\n

Usta oyuncu daha sonra Sezgin Burak’\u0131n \u00e7izdi\u011fi “Tarkan” karakterinin, 1969’da \u00e7ekilen sinema uyarlamas\u0131nda rol ald\u0131. Tarkan’\u0131 canland\u0131ran sanat\u00e7\u0131, 1970’te “Tarkan: G\u00fcm\u00fc\u015f Eyer”, 1971’de “Tarkan: Viking Kan\u0131”, 1972’de “Tarkan: Alt\u0131n Madalyon” ve 1973’te “Tarkan: G\u00fc\u00e7l\u00fc Kahraman” filmlerinde oynad\u0131.<\/p>\n

Kartal Tibet, izleyicilerin yo\u011fun ilgi g\u00f6sterdi\u011fi seri filmlerin yan\u0131 s\u0131ra “Sancakbeyi Murad”, “Bir Osmanl\u0131 Sava\u015f\u00e7\u0131s\u0131”, “Ba\u011fdat’ta Bir H\u0131rs\u0131z” ve “\u0130ngiliz Kemal” filmlerinde de rol ald\u0131.<\/p>\n

“Sarma\u015f\u0131k G\u00fclleri” ve “Bo\u015f \u00c7er\u00e7eve” gibi say\u0131s\u0131z melodramda da ba\u015frol oynayan sanat\u00e7\u0131, “Zambaklar A\u00e7arken” ve “\u00c7al\u0131ku\u015fu” gibi pek \u00e7ok roman\u0131n uyarlamas\u0131nda da yer ald\u0131.<\/p>\n

20’den fazla Kemal Sunal filmi y\u00f6netti<\/h3>\n

Kartal Tibet, 1977’de “Tosun Pa\u015fa”, filminde y\u00f6netmen koltu\u011funa oturdu ve ba\u015frol\u00fcnde Kemal Sunal’\u0131n oynad\u0131\u011f\u0131 20’nin \u00fczerinde filme imza att\u0131.<\/p>\n

Toplam 56 yap\u0131m\u0131 y\u00f6neten sanat\u00e7\u0131, verdi\u011fi bir r\u00f6portajda, “Y\u00f6netmenlik, dramatik yap\u0131y\u0131 anlay\u0131p sahneyi halka en basit anlayaca\u011f\u0131 \u015fekilde anlatabilmektir. Yani kameray\u0131 \u00e7arp\u0131tmak, oraya buraya koymak, birtak\u0131m oyunlarla farkl\u0131 y\u00f6nlere d\u00f6nd\u00fcrmek, dolly kullanmak (kameran\u0131n ileri-geri, sa\u011fa ve sola do\u011fru bir mekanizma arac\u0131l\u0131\u011f\u0131yla kayd\u0131r\u0131lmas\u0131) gibi teknikleri kullan\u0131nca seyirci ‘Ne g\u00fczel film.’ demiyor. Bana g\u00f6re sinemada bir numaral\u0131 \u00f6nemli \u015fey, hikayenin do\u011fru olmas\u0131d\u0131r. Ne anlat\u0131yorsun, nas\u0131l anlat\u0131yorsun? Y\u00f6netmen bunun i\u00e7in \u00f6nemli. Halk hikaye seyreder, konusu ne diye sorar.”<\/p>\n

Genelde toplumsal sorunlara e\u011filen Tibet, ahlaken yozla\u015fm\u0131\u015f politikac\u0131lara ve haks\u0131zl\u0131klara ba\u015fkald\u0131ran basit insanlar\u0131n komik hikayelerini i\u015fleyen filmler y\u00f6netti.<\/p>\n

\u015eener \u015een ve Kemal Sunal ile 1980’lerin ikinci yar\u0131s\u0131ndan itibaren komik ancak dram y\u00f6n\u00fc a\u011f\u0131r basan toplumsal i\u00e7erikli filmlere imza att\u0131.<\/p>\n

“G\u0131rg\u0131riye” ile kendine \u00f6zg\u00fc tarz\u0131n\u0131 ortaya koydu<\/h3>\n

Kartal Tibet, gi\u015fe rekorlar\u0131 k\u0131ran filmlerin ard\u0131ndan 1990’larda televizyon d\u00f6neminin ba\u015flamas\u0131yla, \u00e7ok sevilen “S\u00fcper Baba”, “Yasemince”, “Emret Komutan\u0131m” ve “Ah Bir Zengin Olsam” adl\u0131 dizilerin y\u00f6netmenli\u011fini \u00fcstlendi. 2000’li y\u0131llarda, T\u00fcrk sinemas\u0131 klasiklerini yeniden canland\u0131rma iste\u011fiyle “Hababam S\u0131n\u0131f Merhaba” (2003) ve “D\u00fcnyay\u0131 Kurtaran Adam\u0131n O\u011flu” (2006) filmlerini y\u00f6netti.<\/p>\n

H\u00fclya Ko\u00e7yi\u011fit yapt\u0131\u011f\u0131 bir a\u00e7\u0131klamada, Tibet’in y\u00f6netmenli\u011finden \u00f6vg\u00fcyle s\u00f6z ederek, “Kartal Tibet, oyuncuyu \u00e7ok iyi tan\u0131r, karaktere n\u00fcfuz etmesini sa\u011flar. \u00c7ok ba\u015far\u0131l\u0131 ve e\u011fitmen bir ki\u015filiktir.” de\u011ferlendirmesinde bulunmu\u015ftu.<\/p>\n

Sanat\u00e7\u0131ya, Antalya Alt\u0131n Portakal Film Festivali’nde 2002’de “Ya\u015fam Boyu Onur \u00d6d\u00fcl\u00fc”, 2006’da ise “Y\u0131ld\u0131r\u0131m \u00d6nal An\u0131 \u00d6d\u00fcl\u00fc” verildi.<\/p>\n

“Gol Kral\u0131”, “Davaro”, “\u00c7ar\u0131kl\u0131 Milyoner”, “\u015eabaniye”, “Sosyete \u015eaban”, “\u015eendul \u015eaban”, “Deli Deli K\u00fcpeli”, “Arkada\u015f\u0131m ve Ben”, “\u00d6\u011fretmen”, “Uyan\u0131k Gazeteci” ve “Duygu \u00c7emberi” filmlerinin senaryosunu kaleme alan Tibet’in rol ald\u0131\u011f\u0131 ve y\u00f6netti\u011fi yap\u0131mlardan baz\u0131lar\u0131 \u015f\u00f6yle:<\/p>\n

“H\u0131\u00e7k\u0131r\u0131k”, “\u00d6lmeyen A\u015fk”, “\u00c7al\u0131ku\u015fu”, “Kanunsuz Yol”, “Siyah G\u00fcl”, “\u00d6l\u00fcnceye Kadar”, “Pa\u015fa K\u0131z\u0131”, “Sefiller”, “Kanun Nam\u0131na”, “Sevemez Kimse Seni”, “Seven Ne Yapmaz”, “Deli Murat”, “Erkekler A\u011flamaz”, “\u015eabaniye”, “Tosun Pa\u015fa”, “Sultan”, “\u015eark B\u00fclb\u00fcl\u00fc”, “Umudumuz \u015eaban”, “G\u0131rg\u0131riyede \u015eenlik Var”, “Davaro”, “\u00c7ar\u0131kl\u0131 Milyoner”, “Yasemince”, “Kelo\u011flan-S\u00fcpero\u011flan”, “Emret Komutan\u0131m”, “D\u00fcnyay\u0131 Kurtaran Adam’\u0131n O\u011flu”<\/p>\n


\n
\n Anadolu Ajans\u0131 web sitesinde, AA Haber Ak\u0131\u015f Sistemi (HAS) \u00fczerinden abonelere sunulan haberler, \u00f6zetlenerek yay\u0131mlanmaktad\u0131r. Abonelik i\u00e7in l\u00fctfen ileti\u015fime ge\u00e7iniz.<\/b>
\n <\/a>
\n <\/span>\n <\/div>\n